For a long time I’ve had a vague memory of a movie or episode of some anthology television show in which a woman was cursed so that any time she said “I love you” to someone, they would turn into a doll. The way I remembered it was that, at the end of the story she was fixed and realized that she could say it finally so she jubilantly shouted “I love New York” or “I love this town” which I thought at the time was reckless. But anyway, I had this memory, but never thought much about it.

On a whim I tried to search Google for it tonight. I got nothing. I could only find episodes about evil dolls and the like. I was flummoxed. I was sure I’d seen this thing. I assumed it was some episode of Outer Limits or Amazing Stories or something, niche sure, but mainstream enough that it’d be talked about online.

I reached out to other people I know to see if they remembered it and with their help I eventually seem to have found it. Really Weird Tales seems to be the answer. The thing is, the woman in Really Weird Tales (played by Catherine O’Hara no less!) does NOT turn people into dolls by saying “I love you” to them. What she does is if she loves someone (whether she says it or not) they explode. That’s in the same ballpark, but it’s a different game. But I kept watching and at one point she feels affection for a doll and it explodes. So is that it? My childhood mind conflated that with turning people into dolls? NO! There’s more. In an attempt to cure herself she has to go on a date with someone she finds repugnant, so she does that, but it goes poorly. That said, we do get the “I love New York” scene that was so embedded in my memory. AND THEN it turns out that the repugnant guy has a thing where if he hates someone, they turn into a doll! So the movie has the love thing and the doll thing, they’re just in different people than I remember. Clearly this is the movie I saw as a kid, my memory just got some things twisted.

But it gets weirder, because during my search I was led to a Reddit post by someone else trying to find the movie and that searcher ALSO remembered it as her turning people into dolls. Memory is weird.

Somehow, the broken remnants of capitalism and copyright laws have led to an announcement that I could not ever have anticipated. The Hypno-Hustler could become the star of a movie.

This is fascinating to me. I’m aware that Sony is limited in which Spider-Man characters they can use to make movies, but I feel like they’re scraping the bottom of a barrel when there’s still lots of other stuff in the barrel they could be using. Spider-Man has a thousand villains and fellow heroes that I would have predicted could be chosen before Antoine. Heck, realistically, I would have thought Rocket Racer had a better chance and I didn’t really think he had a chance at all. And somehow the Hypno-Hustler gets it.

Don’t get me wrong, I would have thought I was among the biggest fans in existence of Rocket Racer’s friend with the guitar, but it turns out that someone out there is clearly a bigger one (or at least they are a similarly-sized fan with more ability to do something about it). And it feels like good news to me because clearly the only way this could happen is if someone actually cares about Antoine.

A movie like this could actually turn a joke of a character into a rounded out human. I’ve always thought that making Antoine into a three-dimensional being that audiences cared about would be one of the earliest writing challenges I would tackle given the chance, and now someone is probably gonna beat me to it. I’m thrilled, but admittedly jealous.

There are multiple ways this can go wrong:

• It’s possible that the movie could fail so hard that the character is seen as unworkable. This is the one I fear the least, because the character is already considered bad and I don’t think anything they could do would make that worse. I’d actually be more worried about this for a Rocket Racer movie, where I feel like the character actually has a little bit to lose. Antoine has nothing to lose, and the fact the creators must care about him makes me think this isn’t going to happen.
• It’s possible this could only be Antoine as I like him in name only. Heck, they might call him “Hypno-Hustler” and not even keep the Antoine Delsoin identity. Just rebuild him entirely from scratch. Look at how the Prowler seen in Miles Morales stories is not the Prowler from the comics that I liked (though the other Prowler is admittedly pretty cool in Spiderverse). But even so, the article above mentions that the musical aspect of the character is important to the project, so even if you call him Buddy Thrummer or something other than Antoin Delsoin, you’re going to have a music-based hypnotist who presumably does crime, it’s going to be closer than I ever would have expected.
• It’s also possible that the movie could become too successful and that would ruin the character for me. If the Hustler becomes a hot new property, and starts showing up in every Marvel comic every month and he pals around with all the superheroes and does the same quips they all do, he would lose the characterization I like. One problem I have with the Marvel stuff is how small their universe feels these days. I remember after the success of the Guardians of the Galaxy movie I saw comics about the Guardians hanging around Earth so they could team up with all the heroes there. I hated that. The Guardians are supposed to out in their own cosmic corner of the Marvel Universe, but they had to hang out with Captain America and Deadpool, so their specialness was thrown away to make them a cog in the machine. If Antoine suddenly becomes one of the “important” characters, I’d lose interest him as one of the loser. I always choose the losers over the big important people. But this I also don’t fear too greatly, because my mind just can’t comprehend a world in which the Hypno-Hustler becomes important.
• The movie might not actually come to pass. This one seems like the most likely possibility. I do believe that they are honestly working on this thing with intent for it to come out, but many things can happen that would stop it. Another pandemic? Character rights shifting to another company? Economic collapse? Any of these options or more could stop this movie in its tracks. And even then, we’d just be back where we started with the character.

So even with the bad outcomes, there is nothing TOO bad. I have no reason but to be excited for this movie. So let’s all be excited for the Hypno-Hustler.

The Beekeepers I’m looking at today run a honey farm called “Chrissy’s Honey Bees” and are the main characters in the 2022 movie Umma. Only two people run Chrissy’s Honey Farm, those being Chrissy and her mother Amanda Williams, with the former being the one who instigated this family business. When she was just a child Chrissy acquired a book about beekeeping, brought it home, and demanded that they start doing it. Until then Amanda had been an accountant, but she always tried to be a perfect mother, so she overcame her own dislike of bees to indulge her daughter’s hobby. Starting with a single hive, they grew the operation into a business that could provide for them both. They’re so successful at the start of the movie, when an online influencer has spoke well of them online causing an unprecedented demand for their honey, they have to expand the farm even more to keep up.

But things aren’t perfect for this duo. Amanda was raised by an abusive mother who would go so far as to use electricity to harm Amanda. This has left Amanda emotionally scarred and terrified of electricity, to the extent that she claims to have a medical allergy to electronics (It’s likely Amanda’s original dislike of bees was because their buzzing reminded her of electricity). With this background, it is no surprise that Amanda abandoned her mother, changing her family name and ignoring her cultural heritage, even creating a fictional “grandparents” to tell Chrissy about. Now Amanda and her daughter live “off the grid” on a farm with no phones, no lights, no motor cars, not a single electronical luxury. (They do use candles at home, but I don’t know if they use their own bees’ wax to make them.)

The problems they face in this movie stem from Chrissy growing up. She’s lived a sheltered life and wants more, she wants to go to college. Amanda is protective of her daughter, who has trouble fitting in, and doesn’t want her to go, but risks becoming controlling in a way that reminds her of the abuse she went through. Coinciding with all this, Amanda learns her mother has died and the ashes have been brought to her. What results from this emotional turmoil is a haunting in which three generations of women have to deal with their emotions and traumas and place in the world. Beekeepers versus ghosts is a great setup for me, but the fact that the family keeps bees doesn’t really factor into the horror plot here. At one point the bees do seem to respond to the haunting, but not in any way that matters.

In the end Amanda breaks the cycle of abuse by confronting the ghost of her mother and making a kind of peace with her, but never denying the damage done. I’d consider this a very beekeeperly move, if the bees had been in any way involved (maybe as psychopomps to help the souls of the living and the dead communicate?). And Chrissy does get to learn more about her culture and gets to go to college, but I’m sure she won’t give up on Beekeeping. Her name is in the company’s name after all.

Three Honeycombs out of Five. They’re above average Beekeepers for sure, but the beekeeping doesn’t tie into their supernatural adventure here, so I can’t go higher.

Stinger Apini, played by Sean Bean, is a character from the film Jupiter Ascending. Without getting into the macro-level details of the movie’s sci-fi setting, I can say this much about Stinger: he’s a genetically-engineered space cop who has been demoted and posted on Earth where he lives with his daughter and keeps bees. And it does seem that he’s good at the beekeeping, a trait that may well bred into him at a genetic level. His farm not only has multiple hives, but the home is covered in still more honeycombs, apparently placed wherever the bees felt like it. From what we see, the bees have a lot of leeway on this farm.

It is definitely worth noting that the bees we see on Stinger’s farm have a certain supernatural style. They can sense royalty in a person, for example, and respond to that person’s actions, to the extent that they’ll attack bad guys to help protect the film’s main character. Stinger says, “bees are genetically designed to recognize royalty… bees aren’t like humans, they don’t question or doubt. Bees don’t lie.” But Stinger says this is true of all bees, not just his. If all this is just a fact of bees in this sci-fi world, I can’t give Stinger any credit for it.

What I can give Stinger credit for is that he’s also an excellent fighter with a long history in space battles. He even had wings up until he acted nobly (taking credit for the actions of a soldier under his command) and was punished for it. While this did result in his disgrace, and his anger over it (and his desire to protect his daughter) led to him betraying his allies, he came back around to rejoin the protagonists. He wasn’t so overcome with rage that it became a problem in the long run.

He’s definitely a skilled combatant and a decent beekeeper. Even his name, Stinger Apini, is cool and thematically appropriate. But look, I have to be honest. My own opinion of the very concept of royalty is working against Stinger in this review. The idea that being “royal” is not made-up bullshit but is, in fact, an actual quantifiable physical attribute of a person and makes them “better” than other people and that bees can recognize and defer to it… none of this gets PDR’s approval.

Three Honeycombs out of Five.