Phone Guys: Important Dinner



This one starts with some human army guys finding a human survivor on a planet that was attacked by aliens, I guess. The guy keeps describing himself as “The farthest man from home” in spite of the fact that a bunch of other humans are now there with him. In his defence, he seems to have utterly snapped. Anyway, his existence gives hope to the boringest of the cast, apparently named West, the guy who lost a friend/lover (I genuinely don’t know their relationship) at the start of the pilot. If this guy is alive, she might also be. So West goes AWOL, stealing his space plane to go check the colony world for his missing friend. There, he comes into conflict with the aliens but does find a couple human survivors who confirm that his friend survived the initial attack, but was captured. He tries to follow this lead, but the aliens are onto him and he’d be dead except that the rest of the cast come to his rescue. He gets into trouble, and the whole team gets into trouble for helping him, but ultimately he did find two survivors. Also, they think someone up above may be pulling strings to keep them from being court martialed or whatever.
Anyway, this one was nothing special. West was, to me, the least interesting part of the pilot. I was hoping they’d wrap up his missing lady plot in this one so the show would be done with it. They don’t. As of the end of this episode, she’s still missing.
In spite of the episode being named after him, the “Farthest Man from Home” is all but forgotten once West gets on with his plans. I don’t know if this show is serialized in the kind of way where he’ll come up again or not. I did find it interesting that the show so quickly had them find a mentally-unhinged survivor on a planet. That’s basically what Tim Curry’s character on Earth 2 was and he was also introduced very early. Incidentally, another Earth 2 similarity is the use of VR technology for recreation. It’s less advanced here than the Gear used by the Earth 2 folks.
The guy who got to yell at the team for being such reckless heroes is one Commodore Ross, played by character actor Tucker Smallwood who is one of those I recognize from multiple places. Looking him up spoiled for me that he’ll be back, but I’m fine with that. I like him.
What else? Well, since it isn’t the opening movie anymore, the show has opening credits. They make the cast seems smaller and more manageable, so I like them. Also, the cast all have callsigns based on the deck of cards, like Hawkes is “Jack of Hearts” and I think it was Wang who was “Joker” and such. One nice little continuation of the discrimination against In-Vitro’s plot is that Hawkes has to modify his helmet to accommodate his navel, since they don’t come that way by default.
And then, what I’m mostly here for, the aliens. For the record, the humans call them “Chigs”, not “Chiggers” as my memory had told me. Still, I’m going to give the writers the benefit of the doubt that they knew what they were doing. We learn a few things about the Chigs in this episode (and I kinda hate calling them that). They seem to fear their dead, to the extent that human survivors have been hiding in a cave with some of their corpses to be unnoticed. Also, it seems like they have five-fingered hands, albeit with claws. Still, that’s disappointing. But the characters discuss why they call them “Chigs” and it is apparently a comparison to Chigoe fleas specifically, but another character says he thinks they look like prawns. So at some point it seems humanity in the universe has seen the Chigs unmasked, even though we haven’t.

There was a brief period in which Bob Farrell was depicted as a stutterer. It came out of nowhere during the Supervillain Team-Up/MODOK’s Eleven miniseries. Bob hadn’t been depicted as a stutterer in the decades he’d appeared before that, in fact he was often a fast-talking type. And he’s not been depicted as one since either, though that is mostly because he’s been lucky to get a line in any appearance since. Here are my thoughts on the Rocket Racer’s stutter:
It comes, as I say, out of nowhere. I can’t get behind it as an actual element of the character. But I do get it. It’s part of an attempt to lean into a “nerd” thing with Bob, trying to give him some personality that helps him to stand out among an ensemble cast. Writer Fred Van Lente also wrote an other-continuity Bob as having a stutter (in a story I’ll try to cover soon), so one thing is clear to me: Van Lente thought about Bob Farrell’s personality and role. He’s not just randomly picking Bob and pasting him there like a sticker in a book. I respect that.
I don’t care for stutters being generally considered to be a “nerd” thing, but I do think Bob being painted as a “nerdy” personality works. That said, I actually don’t think we need to have Bob as the kind of person who grew up with a stutter. Sure, that character type can be useful, even representational for young people with a stutter, but I feel like we can do something with Bob more in keeping with his history up to that point. The Supervillain Team-Up story comes after Bob has spent time in prison, after he was blown up by the Punisher, and after his mother’s illness has worsened and she’s fallen into a coma. I think it would be much more interesting to have Bob’s stutter be the result of all this trauma and injury, showing the consequences of what a man like Bob goes through in a genre where most of the characters are winners and, he’s just not.
(And, just for the record, Marvel does have at least one young Black man who grew up with a stutter, to represent that group: Cloak, of Cloak and Dagger fame, fits that bill perfectly.)
It was a tradition I had that every time we approached a new season of the Venture Bros, I’d watch through the entire show up to that point. Well, we’ve got a supposedly-final Venture Bros movie coming later this month, so I spent some time earlier this month to do that again. This resulted in my most recent Beekeeper Review but I also had some other thoughts I felt I could deposit here on this website o’ mine. Let’s go:
Anyway, those are the things that occurred to me on this rewatch. I’m looking forward to the movie later this month. I hope it is so successful that they get to do another one. And I hope that other one is Escape From The House of Mummies, Part Five.
It begins, as I assume most sci-fi shows from the era do, with a double-sized episode that is essentially a movie. They set up a lot of worldbuilding and whatnot, but overall it’s a lot of stuff that would make for a pretty boring movie to me. The year is 2063 and humanity has started settling on other planets and is extremely confident that they are alone in the universe. They’re proven very wrong when they get attacked by mysterious alien invaders (wiped out, but with just enough possibility for survivors that the one we’ve been asked to care about may turn up alive for drama later).
And suddenly, humanity is at war with the first non-Earth-based lifeforms they’ve learned of. And it is going poorly, which is why the show is able to focus on a batch of new barely-trained space marine pilots, because with everyone else getting wiped out, they are moved into positions of prominence quickly. Honestly, most of the story is cliche. We’ve got all the standard bickering caused by clashing bad attitudes and cadets with machismo-fueled desires to prove themselves by doing dangerous crap. They’ve even got R. Lee Ermey playing the drill sergeant for heaven’s sake (Though he did give me one line I thought was worth writing down: “In space no one can hear you scream unless it is the battle cry of the United States Marines.”)
So if all that stuff is trite, I’ll have to give them a little credit for the sci-fi world they’re in. There’s nothing mind-bending, but they do more than the bare minimum. There is mention of the AI Wars and AI, who I gather are robots who look just like humans. More relevant to the plot are In-Vitros (derisively called Tanks), who are humans grown not from parents, but apparently created through genetic engineering from tinkering with DNA and all that. The In-Vitros are used as a “minority group that doesn’t have equal rights” for the setting (the first one we meet is almost immediately lynched, and another character is upset because the government cost him his job because they wanted more In-Vitro representation, and so on). The In-Vitros actually have their navels on the back of their necks, which is an image I’ve had in my head forever but if you’d ask me where I’d seen it I would’ve guessed Outer Limits or something. The In-Vitro character on the main cast (Hawkes) is a brooding-jerk-with-a-chip-on-his-shoulder kind of character, again trite, but it’s a setup with story potential down the line. Incidentally, about the characters, right now the members of the main cast I find tolerable at all are Vanessa Damphousse and Paul Wang. Mostly because they are less toxic military-brain types than the rest.
They have kept us in the dark about the aliens so far. We see one. It is generally humanoid in shape and size, but is wearing so much armour that we can’t get the details. This is something that works both for suspense and for budget, so I don’t mind. In fact, I often wish that Star Trek would throw some weird-looking spacesuits in the background of crowd shots. The alien we meet is captured by the main cast and seems better at trying to communicate than the humans are with it. It also manages to pull off a cyanide-tooth suicide sort of thing, rather than be taken alive, by drinking water, which is apparently toxic to it.