Superman meets another fancy sci-fi concept.

We get a standard opening and then we’re into it. A scientist is using his magic observatory to pluck comets from the sky and pull them closer to Earth for study (it is, of course, ridiculous that the Magnetic Telescope would be able to pull comets from so far away to Earth in a matter of seconds, but what’re ya gonna do?). It goes wrong and the first comet crashes into the city, so the scientist is told to knock it off. Knock it off, he does not. To this scientist, the benefits of his experiments are more important than any potential risks, including any human lives lost. He’s a rogue scientist with a comet addiction and they can’t stop him. In fact, the cops don’t much help the situation, smashing up the machinery so the scientist loses control and now the comet is heading straight for the city.

Lois calls in the story and Clark goes to help (taking the opportunity to change in a cab this time) and before we know it, Superman is trying to bash that comet away. But Superman fails. Twice. A lot of destructing rains down on Metropolis in this one and if we pretend they were going for any kind of realism, people would have died here. It’s only when Clark gives up on the brute force that he wins, by getting the Magnetic Telescope working again that he and Lois are able to send that hunk of evil outer space back where it belongs. Lois accidentally kisses Clark, thinking he’s Superman and we’re out.

Lasers, robots, T-Rexes, and fancy cars, and now this magnetic telescope. The threats Superman face in these cartoons are right on the cutting edge of sci-fi technologies. A common complaint I’ve seen about Golden Age Superman comics is that they focus too much on gangsters and not enough on more fantastical stuff. Well these shorts have been consistently science fiction and I like it. We have some exceptions I recall coming up, but at this point the groundwork is laid that Superman is a sci-fi guy.

The image of Superman flying up into the sky to stop a threat coming down and failing is one that will recur throughout time. Most notably in Panic In The Sky, an episode of the 50s show that has been essentially remade multiple times in later shows and which, PDR thinks, deserves a Wikipedia page of its own instead of just a redirect to the list of episodes of Adventures of Superman. But whatever. We’re just lucky that Superman here was able to get back up and deal with the comet instead of getting amnesia or anything.

A bald scientist who thinks he knows better than the authorities and will put the world at risk to get his own way is also a thing that would recur in Superman, but this unnamed guy is a professor and Lex would never bother with that.

It’s another bad car!

It occurs to me that everything I said about the T-Rex in the last one is also true, more obviously even, about cool cars. They’re a modern marvel for Superman to contend with. I’ll admit that I think the cool car in Billion Dollar Limited is cooler than this one, but this one is part plane, so that’s an even more modern marvel.

Anyway, in this cartoon the Bulleteers (cool name) have this high tech supercar that can fly and can just smash its way through anything. From their mountaintop lair (with massive speakers and a rock drawbridge and stuff, who are these guys?) they demand money or they’ll go on a rampage. They don’t get the money, so they go on a rampage. Lois heads off to investigate, and when she gets a chance she tries to bust up the car as well. Anyway, Superman stops them. You get it.

There’s a bit about six minutes and ten seconds in where Clark jumps off a building and the way he gets his footing to do it appeals to me. As I said in the Billion Dollar Limited one, I like when Clark’s flight has more weight to it. Details like this are what I want.

This one ends with Lois getting the scoop on the story, with no interference from Clark. Good for her. No wink at the end here, but they do walk past a “Buy Defense Bonds” poster that I think may be the first acknowledgement of the War that these shorts have had.

In this one, we got a Godzilla going on!

By this point the opening has solidified (for now anyway). We follow that with news that a “huge monster” has been found frozen in ice in Siberia. For the purposes of this cartoon (and ignoring inaccuracies we’ve discovered since), this is a Tyrannosaurus Rex. It’s not some mutant or alien beast, just a dinosaur frozen since the Mesozoic. It’s worth remembering that, though dinosaurs are ancient, the discovery that T-Rex had existed was still relatively new as of 1942. There were definitely people working on this cartoon who had been children when T-Rex was considered a new find and would probably still think of them as a big deal new monster, appropriate for the big new deal hero of the age.

Anyway, the frozen dino is brought to Metropolis. Perry finds out the thing might still be alive in the ice and sends Lois to investigate. This is a good cartoon for Lois and it all starts with her NOT being sent to get “the women’s angle” for once. She’s full-in on investigating in the face of peril and she’s got quips. That said, it’s Lois’s presence that distracts the worker and causes the dino to thaw (and it thaws amazingly quickly). Still, it is decidedly not her fault.

Did you know that T-Rex was bulletproof? This cartoon knows it. And there is carnage all over the city as its mere presence walking down the road causes panic and accidents. Obviously this is a job for the main guy the cartoon is about. The dino, just deciding to walk through a dam and a bridge instead of going around for some reason, gives our hero a chance to pull off some impressive rescues. Then he captures it. Overall, decent stuff, though slight in the way these shorts kinda have to be.

Aside from it being a good showing for Lois, there’s two things I kinda feel like thinking about: One: Something this short has in common with the most-recent Superman movie, Clark wants to take the giant monster alive. The depiction of it being kept in the zoo at the end of this looks like torture, but the intent of the story is that this is merciful and now there’s a new place where you can go and see a living dinosaur, thanks to Superman.

The other thing is that Superman doesn’t seem to be up to flying yet in this one. If you’d asked me, I’d say we’ve seen him flying in the previous shorts. Certainly he defies gravity while punching his way up the laser that one time and he’s able to change direction mid-leap while dealing with that train that other time. This here time, it’s very pointedly jumping we see. And I have to say, I like it. We should see Superman jump more often.

I am by no means opposed to Clark flying (it’s the heat vision I have a problem with, remember), but I’ve never been big on the floaty Peter Pan-esque flight where he basically takes off by standing on his tip-toes and then floating away. I like it when he has to plant his feet and jump to get in the air. And if he’s not going around the world or anything, why not let him come down and do it again as he goes? It’s makes him seem more physical. And I consider that a plus.

Oh! And it ends with a wink! Very important.

This is the train one.

We get Daily Planet headlines about the biggest ever shipment of gold being sent by train and we know, that’s gonna have some trouble. The byline on the article is Lois’s, which is nice considering in this era she was often depicted as being stuck doing “women’s stories” and such, and she even gets to ride the train along the shipment to keep the story going. A bunch of exactly-the-same-guy looking security guards load the gold onto the train and we’re off.

Obviously this is a story about an attempted train robbery. The nondescript masked robbers have a cool modified car, which is the only really notable thing about them. Two of them hop on board, though their hijacking attempt doesn’t go great. Though they are able to get rid of the security guards and knock the engineer off the train, they only do so by falling off themselves. Now we have a train with all that gold and the only person on board to protect it is Lois Lane.

This cartoon is a good showing for Lois. Is she in a woman in peril? Yeah, sure, but she’s there for her job and she doesn’t go quietly. In this one she picks up a gun and fires back at the cool car. The car is bulletproof, but hey, Lois tries.

Back at the office, Clark hears about the situation so he gets into his Superman outfit (just hiding behind some boxes to do it today), and we get to see who really is more powerful than a locomotive. The remaining criminals use their cool car to Wacky Races the train, in that they keep getting ahead of it and setting traps and whatnot. Superman responds by doing super things to save the train. All good stuff. A great bit is when the train is falling and he catches it and jumps back up with it back onto the tracks, making sure to leap swiftly from the front to the back as he does it to line it up right. And the bit where Superman struggles ever so slightly to pull against the train’s downhill momentum puts me in a mind of the fight where he punches the lasers in the Mad Scientist. I like seeing Superman have to put some effort in. I’m not one of those who think the character needs to be depowered to be interesting, but I do think he should look like he’s trying while he’s doing all those powerful things.

In the end, Clark brings the gold to its destination by himself, so it can be used by the military-industrial complex or whatever, and we’re given another news article by Lois saying that he went back to catch those criminals and then disappeared. We’re given a little “back at the Planet” scene for an ending, but it’s not a great one. Still, Clark knowingly looks at the camera and, while he may not wink, it’s getting closer.

I am fond of this one, though largely for the cool car. If you’d asked me at the start of this rewatch, when Clark excused himself at the beginning, I thought he was slipping off so that he could Superman up to watch the train. Instead, since we next see him at the office, I guess he really was just working on a different story. I like that better somehow.

This is the one where Superman fights some robots.

This is the second one. We get the whole Faster Than A Speeding Bullet and Amazing Stranger speech here, along with the “Truth and Justice” declaration. Then we’re right into the scene of a robo-bank robbery. An criminal figure is controlling the robot and has it robo-escape by flying back to headquarters and robo-depositing the ill-gotten gains in the money vat. The robots in this short have numbers on them, right? Well it has bugged me for years that when the criminal controls his robot to go rest by the wall until needed again, he doesn’t put them in order. I may not be overly concerned with bank robberies, but this chaos requires the aid of Superman!

Fortunately for me, the criminal is not happy with vats of money, he pushes his luck to also robo-rob a really cool-looking jewellery display place (what is it a museum or something?) and that is very noticed by Lois Lane and Clark Kent. During the chaos, Lois pulls Clark to safety with a visceral “C’mon, you fool, you wanna get trampled?” but she has far less concern for herself because the first chance she gets she sneaks into the robot. Just gets right inside the containment hatch it is stuffing the jewels. One of the more dangerous things I’ve ever seen Lois do.

Lois is captured by the criminal but won’t tell him what happened to the jewels, so the criminal puts her in a deadly trap and Superman comes and busts up the robots and saves the day.

I like this one, which I don’t think is a controversial opinion. On this viewing some of the things that stood out to me were the detail on some of the still backgrounds, such as the jewel display and, even moreso, Metropolis from the sky. We’ve got some iconic things in here as well. Clark protecting Lois from the molten metal with his cape is one I’ve seen referenced, and ending with Lois and Clark at the Planet always feels right with me, though this one lacks a wink. The robots themselves have made appearances in the comics from time to time and they are pretty good robots. They’re not top-level S-tier supercool robots, but they’re solid B-tier I think, especially for the time and for giving Superman a pretty cool fight. That said, the bit when they spend so much time on each robot individually waking up almost feels like a joke to me, but was not intended as such.

More noticeable perhaps is that Clark gets into his Superman suit in a phone booth in this one. It’s a thing that has happened far less often than you’d think considering its reputation. I think it’s interesting that he went in there to actually make a phone call to the police or whomever. He wasn’t gonna Superman up for those jewels until Lois got in trouble. This makes sense to me. People are more important than jewels.